I’m watching the season 1 finale of Star Trek Discovery and having L’Rell do the previously in Klingon is a nice touch. ππ»
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I’m watching the season 1 finale of Star Trek Discovery and having L’Rell do the previously in Klingon is a nice touch. ππ»
Extemely chuffed to announce that my first blog post written for @QuirkosSoftware, “A priori coding is A-OK!”, has gone live!
I don’t like how clear it is that we are living in the mirror universe and the primary Star Trek universe is not ours. At least, this is what Discovery has led me to believe. ππ»
I may have been excessively affectively engaged in the conversation about Buffy fic writers’ responses to “Seeing Red.” I really don’t know how to not be “in my feels” when it comes to Buffy, esp. fan response.
Help I Read a Lower Decks Fanfic and Now I Resent All Other Activities: The Kimberly Hirsh Story ππ»
Taking a break from livetweeting to just listen to the Participatory Culture Wars session at #FSNNA21.
This doesn’t include the discussion/Q&A because things started to go so fast I couldn’t keep up.
introducing other panelists in “The Money Question”
Copyright law is designed to incentivize creativity, “to reward authors for being creative.”
Lawyers think about financial repercussions of creativity/copyright, but fans tend to not focus on finances as reason for engaging in fanac, esp. fic.
Copyright law suggests that people require the financial incentive to be creative, but fans demonstrate there are many other motivations.
If we know people will be creative with motivations other than financial, then what is copyright law accomplishing if the incentive assumption is flawed?
Is copyright blocking creativity because it is too restrictive?
If $ enters a space where previously it wasn’t part of the motivation/incentive structure, how do copyright considerations change once $ is introduced to the space?
When fans demand compensation, it gets stickier because they are creating within the world of somebody else’s creation. Fanworks, however, are protected by fair use, “a really messy doctrine,” with market harm as one of the explicit factors evaluated to determine if it’s fair use.
We want to protect public good with copyright, not private gain. If you’re making $, you can presumably afford to license intellectual property.
Copyright exceptions for news reporting & education, for example, promote the public good.
Fair use doctrine doesn’t provide ability to exploit EVERYTHING, some things are reserved for creator.
If you aren’t making $, copyright holder has a harder time arguing you’re affecting their market/bottom line, but if you are charging, now it looks like you’re siphoning $ from copyright holder.
THIS DOES NOT MEAN EVERYTHING DONE FOR FREE IS OKAY UNDER FAIR USE DOCTRINE. Some free stuff is still copyright infringement! eg music & video piracy
But also NOT EVERYTHING DONE FOR $ IS NOT FAIR USE.
“Keeping things noncommercial is the safest way that lawyers can see for protecting fan activities.” & this is why AO3 has lots of rules about noncommercial use.
$ attracts attention, so copyright holders are more likely to sue if $ is involved.
We are seeing more ways that fans monetize their creations & Stacey is curious about non-lawyers’ thoughts.
[quick disclaimer, Kimberly Hirsh is not A lawyer and Stacey Lantagne is not YOUR lawyer.]
What about when copyright holders claim that they own rights to fan work? Platforms that are monetizing fan labor?
Let’s talk about LARPS! Daria came from fashion & media studies & is new to fan studies in the past ~6 mos.
LARP = Live-Action Role Playing.
LARPing is an event and a game, often based on/inspired by media products, appeals to fans, utilizes physical assets like props, costumes, food, accommodation. Can’t be 100% free.
Is LARP a commercial endeavor or not?
LARPs aren’t always medieval/fantasy themed. Other examples: wizarding, Downton Abbey/Upstairs-Downstairs “Fairweather Manor,” Star Wars, Westworld.
You can’t participate in a LARP without spending $ on accommodations, tickets, costumes, props.
LARPs also have merchandise.
College of Wizardry LARP originally used Harry Potter terms, but received contact from legal (at WB? JKR estate?) & subsequently changed names.
Case study - Star Wars Saberfighting - you can pay to take lightsaber fighting classes, which resulted in a market for unlicensed light sabers.
There is a relationship between embodied fanac like LARPing & $, which creates tension btwn fan creations & licensed merch.
Studying Game of Thrones fan experiences, analyzed brand, good brand due to fan loyalty & HBO branding work, with particular visual identity & brand image.
Distinction between official merchandise, licensed (like Monopoly), and unlicensed (like fan-created). Some fan creators do it just for fan love, some for career/biz, and some creators of unlicensed merch aren’t fans.
3 types of GoT on Etsy: reuse/distory/mock HBO features, inspired by GoT, GoT for SEO purposes (not actually GoT related)
Fan-made items tend to cost 2-3x less than similar official items.
While reappropriation items often are similar to official/licensed items, “inspired by” items - for example cosplay items - are filling a gap, as this kind of thing isn’t usually offered through official/licensed channels.
Fans in places where official places don’t ship (eg HBO doesn’t ship outside of USA) must choose either to purchase resold items that will ship to them or fan-created items that will ship to them.
Surveyed fans in English, French, & Spanish. About 1/5 of fans purchase exclusively fan creation, 70-80% prefer official, 50% or so buy both.
Fan tourists & cosplayers purchase more items than other fans. Fans mention Etsy as place to purchase
Fan consumers often like to purchase fan-created artifacts in order to support other fans.
Conflict btwn fans’ stated support of fan creators and actual purchasing habits which when possible they prefer to buy official products.
Planning to use Noter Live to livetweet “The Money Question” at #FSNNA21. Will post all tweets to kimberlyhirsh.com after the session.
Well mirror universe stuff is very upsetting. ππ»
I myself am strange and unusual. (Earrings by Witching Hour Baby.)
I built a Book Event Calendar! It’s only got one event in it right now, as proof of concept, but I plan to add more soon.
Today I:
- found contact info for new handyman
- filled meds cases
- made cinnamon sugar pumpkin seeds
- put away a little laundry
- drove kid around to look at Halloween decorations
- made popcorn
- checked in for #FSNNA21
- watched Star Trek Discovery
- read some BLACK SUN
Hey book friends. Is there any sort of centralized calendar for virtual author events? My searches are turning up Eventbrite, specific publisher listings, and bookstore listings, but not one place where I can find a lot at once.
Part of me wants to swim in a vault filled with books like some sort of literary Scrooge McDuck, but the other part of me knows I would get So. Many. Papercuts.
This thing where I need to sleep instead of staying up all night watching Star Trek: Discovery is really bumming me out. ππ»
On my Starfleet ship, we would have Sirenian ops.
π»βΆοΈ Watched The Doctor, The Mortician, and the Murder.
Don’t want to spoil the Lower Decks finale much but I was so distracted by my delight at encountering Captain Sonya Gomez I actually missed anything else in the first few minutes and had to rewind. Gomez is probably my favorite TNG character outside the main crew. ππ»πΊ
The other day while doing some Artist’s Way exercises my subconscious bubbled up and told me I wanted a typewriter. Now I’m stuck on this idea.
πππ Read
Catapult | I Found My Literary Community by Writing Book Reviews | catapult.coRead: catapult.co
π¬ “… fulfilling my potential would really cut into my sitting around time.” Maria Bamford, THE BURNING BRIDGES TOUR
Finished reading: Writing the New Ethnography by H. L. Goodall, Jr. π
Academia sure loves bricolage.
π Read
Catapult | Why Full-Time Freelancing Isnβt For Me | Gabrielle Drolet catapult.coRead: catapult.co